Term 1 and 2 Tutor
Rafael is a London-based, award-winning writer/director, media lecturer, screenplay development and new media technology consultant. Since 2006 he has created some of the most distinctive short and feature films that have won over twenty five international awards at toptier festivals such as Cannes, Oberhausen, Austin, New Horizons and Brest. His feature debut 'Butterfly Kisses' (BBC Films/Film London/Microwave/Blue Shadows Films) won the Crystal Bear at the 2017 Berlin International Film Festival. His feature project 'Up on the Roof' won Cannes Film Festival’s prestigious Cinefondation Residence award. His short 'To Bury The Horse' was a finalist in the 2011 Bosh Stiftung Competition. He also worked as script supervisor on Nina Gantz’s BAFTA-winning short animation 'Edmond' (over fifty international awards). He is currently in development with a comedy Cranley Gardens (Blue Shadows Films, IFP), Budapest Diaries (Domino Films, PISF) and a television series 'Tumbleweed' (Racine Media). He is also attached to adapt and direct Alex Gino’s best-selling novel George (Racine Media). Rafael has taught all aspects of fiction directing, practical filmmaking and script development at The London Film School, The Central London Film School, The London Film Academy and The Northern Film School.
Senior Lecturer Camera Department
Belinda Parsons is an award-winning Director of Photography who has worked with production companies for all the major broadcasters, on social documentaries and TV dramas, including 3 feature lengths for S4C. She has contributed to a number of cinema shorts, and the British low budget award winning feature film THIN ICE. Belinda was nominated for a BAFTA, and awarded a Chicago Silver Hugo, and WFTV Samuelson Award for Technical Excellence.
Stage Supervisor and Gaffer
Ronaldo has been involved in the theatre, television and film industries for almost twenty years. During that time he has worked as Lighting Designer on numerous stage productions in London, Cambridge, Brighton and the Edinburgh Festival. In 1993 he joined the lighting department at Fountain Television in Wembley, working on numerous productions, including Friends, The Fast Show and Who Wants To Be A Millionaire?, rising to the position of Studio Manager in 1998.
In 2001 he decided to return to freelance work and was involved in a wide range of projects, including six months in the USA, where he was employed as Lighting Designer at Stagedoor Manor Performing Arts Training Centre in New York on productions which included Sweeney Todd, Les Miserables, Nine and The Mikado. After a tour of Britain and India with Chitraleka Dance Company on their innovative Story of C he joined the London Film School. What was originally intended to be a short-term contract has become permanent and he is now responsible for the schools lighting equipment, stages and health and safety - as well as teaching students safe use of lighting, electrics etc.
Camera Equipment Manager
Prior to joining The London Film School, Michael began his career in the industry by working for a facilities house for several years. He has also been a camera assistant for several BBC 3 TV shows, a creative executive for Sky and a production assistant on Bollywood feature films. He studied Filmmaking at the Metropolitan Film school and also has a degree in Economics.
Editing Instructor - Tecnician
Senior Lecturer - Production Design
After graduating in Fine Art Carmel worked as a Theatre Designer in UK, Ireland and Berlin before training in Production Design at the National Film and Television School.
She has extensive experience as Production Designer working internationally on feature films shot in the UK and in Southern Africa, and a wide portfolio of productions including RTS award-winning shorts (‘Decisions’ for Ch 4), TV drama, drama documentaries, commercials and BAFTA award-winning Arts films (Sir Simon Rattle’s ‘Leaving Home’ for Ch 4). Feature films ‘Friends’ directed by Elaine Proctor and ‘Hijack Stories’ directed by Oliver Schmitz gained recognition in Cannes - Special Mention Palme D’Or and Un Certain Regard respectively, both securing international releases.
Carmel has combined teaching with professional practice throughout her career, devising the MA Production Design course at Northern School of Film and Television and teaching at many institutions as a visiting tutor in between film projects, including at University of Westminster, University of the Arts London, University of the Creative Arts Farnham, Royal Holloway University and as a Professional Mentor to Film Glasgow’s JumpCut Summer Production Company.
My parents were artists and performers. They produced sculpture, light shows, multi-media performances, sound and light environments, books etc. I was the 'technical' member of the family and from the arrival of a Ferrograph series 4 tape recorder when I was still at junior school I enjoyed working on the sound content of our artistic activities. After a few years working as an Audio-Visual Aids Technician in a large London school I started Film work in 1979 with a Documentary production house in Central London becoming a Freelance Sound Recordist in 1985.
Over the last 30+ years I have enjoyed sound recording all over the world on Television Documentary, Theatre, Corporate, Commercials and Drama productions.
Before joining the London Film School Karen was a freelance Sound Editor working on feature films, TV dramas and documentaries in South Africa and the UK. Member of the Association of Motion Picture Sound AMPS.
Film Music Consultant
Amit started composing at the age of 12 and his first composition was performed at the Camden Festival when he was 14. Since then, over a twenty five year career in music, Amit has composed, orchestrated and acted as music director on a broad range of projects which includes, 2 CDs with Carmel (Warner Bros), Diehard director John McTiernan, The 2nd Bakery Attack director Wolf Baschung (featured short film Sundance Festival), Greekfire (series broadcast on C4), Our Orchestra (broadcasts on WMBR Radio Boston USA), Andorra by Max Frisch directed by Michael Attenborough (Falmer Arts Centre).
Amit studied film scoring with Jerry Goldsmith, John Williams and David Raksin in the USA. Amit was the Head of Jazz Composition and Arranging at the Royal Academy of Music and has published articles on film music.
Senior Editing Lecturer
Peter Hollywood is an award-winning editor, who has been editing for over twenty years. As well as collaborating with well-known directors, such as Ridley Scott, Mike Newell and Terry Gilliam, he has been contributing to almost every genre imaginable, ranging from no-budget shorts and independent documentaries to network television and multi-million dollar features.
Graduated from Bilston College in the Midlands with a Diploma in Business Studies. Prior to joining the London Film School Annette was a qualified Dental Nurse.
She moved to London in March 1987 and subsequently joined The London Film School in June of the same year as Receptionist. Later this role encompassed the Finance Assistant's role. She then spent a year as acting projectionist on 16mm and 35mm to cover maternity leave in 1990.
In 2002 Annette was promoted to Admissions Manager - her current role.
Carolyn began a career in the arts in 2001 at the Dukes Theatre & Cinema in Lancaster. Since then her work has ranged from front of house and box office management to marketing, events and cinema programming. Carolyn has worked in theatres, classical music venues and museums. She has twice managed brand new fringe venues at the Edinburgh Festival, and in 2013 she traveled to Australia's Northern Territory to work for the Darwin Arts Festival.
Carolyn has been running the London Film School's workshops department since 2008.
Film Archive Manager
Ater Art college and a spell in the Theatre, Ginny began her film library career at an eclectic Soviet film archive in Highbury Corner. She has experience of many varied film archive collections and libraries, working with legacy formats, discovering, preserving and accessioning many fascinating archive films along the way. After a major project cataloguing the Central Office of Information Footage File Collection, she has worked on the WellcomeFilm digitisation project, at various commercial boutique libraries and also in a freelance capacity as Film Archivist at the Wellcome Trust.
LFS OPEN Coordinator
Prior to joining The London Film School, Amira spent most of her career immersed in the film festival world, working mostly in administration, programming and event production. She spent 5 years as the Delegate Services Manager with Hot Docs, where she oversaw the guest relations and registration departments, and coordinated logistics for all industry delegates. She’s been involved in the successful delivery of some of the biggest film festivals and events including the Toronto International Film Festival, Sheffield Doc/Fest, the World Congress of Science and Factual Producers and the Cork Film Festival.
Whilst studying at university Gillian gained experience in the field of education, working during the summer at both Brunel University and for the Fiesta Summer Scheme. After graduating in English and Media Writing from the University of Derby, Gillian worked as an Events Assistant at the National Portrait Gallery.
Gillian then made a move back into higher education, working as an Assistant and then Administrator in the Law School at Birkbeck, University of London before arriving at the LFS in March 2015.