Acting Head of Sound Department
Studied Electrical Engineering, after graduating worked for a number of years as a service engineer and industrial product designer. Sound recordist on a number of factual, educational and documentary strands for BBC and Channel 4 such as Inside Tracks, On the Record, Panorama, Breaking the Fear (independent feature) and shorts You're In There Ltd. and Konfident.
PA to the Director/CEO
My first job after graduating was working for producer Olivia Stewart's production company Three Rivers as Olivia's assistant. My first and only credit was on Terence Davies' The House of Mirth (2000) and I cried when I saw my name - I was very proud.
After a roller coaster seven years I decided that instead of trying to make great films I wanted to promote them and found myself working for The Weinstein Company in their London office as part of the international publicity team. That was an experience.
Two years later I freelanced for Premier PR working on the BFI London Film Festival account as the Press Screenings and Press Delegate Centre Manager - I did that for the 2008 film festival, and as a glutton for punishment went back again for the 2009 film festival. In between I was an Event Account Manager for Firmdale Hotels looking after entertainment clients.
I volunteered for the Birds Eye View Film Festival for a while before joining the press team for the BFI where I was fortunate enough to work with some amazing people and got to work on, see and do amazing things.
I've now come full circle, back to doing what I enjoy and do best - being a PA to a very inspiring woman.
MAIFB Course Leader
Angus Finney is a leading international film and creative industry specialist. His work includes risk management for Octopus Media, part of Octopus Investments – a £1.5bn City of London fund manager, MBA-level teaching at The Judge Business School, Cambridge University and Cass Business School, City University, London, and he is the producer of Europe’s only Production Finance Market, hosted by Film London. Finney was managing director of Renaissance Films from 1999-2005 where he oversaw financing and sales.
Finney’s fourth and most recent book is: The International Film Business – A Market Guide Beyond Hollywood (Routledge) was published in May 2010. A second edition will be published in 2013. Finney has personally trained more than 800 film producers, company executives and students since 2005, and delivered master classes and lectures at Judge, Cass, Grenoble and Copenhagen Business Schools over the past five years.
Senior Lecturer Camera Department
Belinda Parsons is an award-winning Director of Photography who has worked with production companies for all the major broadcasters, on social documentaries and TV dramas, including 3 feature lengths for S4C. She has contributed to a number of cinema shorts, and the British low budget award winning feature film THIN ICE. Belinda was nominated for a BAFTA, and awarded a Chicago Silver Hugo, and WFTV Samuelson Award for Technical Excellence.
Stage Supervisor and Gaffer
Ronaldo has been involved in the theatre, television and film industries for almost twenty years. During that time he has worked as Lighting Designer on numerous stage productions in London, Cambridge, Brighton and the Edinburgh Festival. In 1993 he joined the lighting department at Fountain Television in Wembley, working on numerous productions, including Friends, The Fast Show and Who Wants To Be A Millionaire?, rising to the position of Studio Manager in 1998.
In 2001 he decided to return to freelance work and was involved in a wide range of projects, including six months in the USA, where he was employed as Lighting Designer at Stagedoor Manor Performing Arts Training Centre in New York on productions which included Sweeney Todd, Les Miserables, Nine and The Mikado. After a tour of Britain and India with Chitraleka Dance Company on their innovative Story of C he joined the London Film School. What was originally intended to be a short-term contract has become permanent and he is now responsible for the schools lighting equipment, stages and health and safety - as well as teaching students safe use of lighting, electrics etc.
Camera Equipment Manager
Editing Instructor - Tecnician
Senior Lecturer - Production Design
After graduating in Fine Art Carmel worked as a Theatre Designer in UK, Ireland and Berlin before training in Production Design at the National Film and Television School.
She has extensive experience as Production Designer working internationally on feature films shot in the UK and in Southern Africa, and a wide portfolio of productions including RTS award-winning shorts (‘Decisions’ for Ch 4), TV drama, drama documentaries, commercials and BAFTA award-winning Arts films (Sir Simon Rattle’s ‘Leaving Home’ for Ch 4). Feature films ‘Friends’ directed by Elaine Proctor and ‘Hijack Stories’ directed by Oliver Schmitz gained recognition in Cannes - Special Mention Palme D’Or and Un Certain Regard respectively, both securing international releases.
Carmel has combined teaching with professional practice throughout her career, devising the MA Production Design course at Northern School of Film and Television and teaching at many institutions as a visiting tutor in between film projects, including at University of Westminster, University of the Arts London, University of the Creative Arts Farnham, Royal Holloway University and as a Professional Mentor to Film Glasgow’s JumpCut Summer Production Company.
Before joining the London Film School Karen was a freelance Sound Editor working on feature films, TV dramas and documentaries in South Africa and the UK. Member of the Association of Motion Picture Sound AMPS.
My parents were artists and performers. They produced sculpture, light shows, multi-media performances, sound and light environments, books etc. I was the 'technical' member of the family and from the arrival of a Ferrograph series 4 tape recorder when I was still at junior school I enjoyed working on the sound content of our artistic activities. After a few years working as an Audio-Visual Aids Technician in a large London school I started Film work in 1979 with a Documentary production house in Central London becoming a Freelance Sound Recordist in 1985.
Over the last 30+ years I have enjoyed sound recording all over the world on Television Documentary, Theatre, Corporate, Commercials and Drama productions.
Film Music Consultant
Amit started composing at the age of 12 and his first composition was performed at the Camden Festival when he was 14. Since then, over a twenty five year career in music, Amit has composed, orchestrated and acted as music director on a broad range of projects which includes, 2 CDs with Carmel (Warner Bros), Diehard director John McTiernan, The 2nd Bakery Attack director Wolf Baschung (featured short film Sundance Festival), Greekfire (series broadcast on C4), Our Orchestra (broadcasts on WMBR Radio Boston USA), Andorra by Max Frisch directed by Michael Attenborough (Falmer Arts Centre).
Amit studied film scoring with Jerry Goldsmith, John Williams and David Raksin in the USA. Amit was the Head of Jazz Composition and Arranging at the Royal Academy of Music and has published articles on film music.
Senior Editing Lecturer
Peter Hollywood is an award-winning editor, who has been editing for over twenty years. As well as collaborating with well-known directors, such as Ridley Scott, Mike Newell and Terry Gilliam, he has been contributing to almost every genre imaginable, ranging from no-budget shorts and independent documentaries to network television and multi-million dollar features.
Graduated from Bilston College in the Midlands with a Diploma in Business Studies. Prior to joining the London Film School Annette was a qualified Dental Nurse.
She moved to London in March 1987 and subsequently joined The London Film School in June of the same year as Receptionist. Later this role encompassed the Finance Assistant's role. She then spent a year as acting projectionist on 16mm and 35mm to cover maternity leave in 1990.
In 2002 Annette was promoted to Admissions Manager - her current role.
Carolyn began a career in the arts in 2001 at the Dukes Theatre & Cinema in Lancaster. Since then her work has ranged from front of house and box office management to marketing, events and cinema programming. Carolyn has worked in theatres, classical music venues and museums. She has twice managed brand new fringe venues at the Edinburgh Festival, and in 2013 she traveled to Australia's Northern Territory to work for the Darwin Arts Festival.
Carolyn has been running the London Film School's workshops department since 2008.
Film Archive Manager
Ater Art college and a spell in the Theatre, Ginny began her film library career at an eclectic Soviet film archive in Highbury Corner. She has experience of many varied film archive collections and libraries, working with legacy formats, discovering, preserving and accessioning many fascinating archive films along the way. After a major project cataloguing the Central Office of Information Footage File Collection, she has worked on the WellcomeFilm digitisation project, at various commercial boutique libraries and also in a freelance capacity as Film Archivist at the Wellcome Trust.