Acting Head of Sound Department
Studied Electrical Engineering, after graduating worked for a number of years as a service engineer and industrial product designer. Sound recordist on a number of factual, educational and documentary strands for BBC and Channel 4 such as Inside Tracks, On the Record, Panorama, Breaking the Fear (independent feature) and shorts You're In There Ltd. and Konfident.
Term 1 and 2 Tutor
Rafael is a London-based, award-winning writer/director, media lecturer, screenplay development and new media technology consultant. Since 2006 he has created some of the most distinctive short and feature films that have won over twenty five international awards at toptier festivals such as Cannes, Oberhausen, Austin, New Horizons and Brest. His feature debut 'Butterfly Kisses' (BBC Films/Film London/Microwave/Blue Shadows Films) won the Crystal Bear at the 2017 Berlin International Film Festival. His feature project 'Up on the Roof' won Cannes Film Festival’s prestigious Cinefondation Residence award. His short 'To Bury The Horse' was a finalist in the 2011 Bosh Stiftung Competition. He also worked as script supervisor on Nina Gantz’s BAFTA-winning short animation 'Edmond' (over fifty international awards). He is currently in development with a comedy Cranley Gardens (Blue Shadows Films, IFP), Budapest Diaries (Domino Films, PISF) and a television series 'Tumbleweed' (Racine Media). He is also attached to adapt and direct Alex Gino’s best-selling novel George (Racine Media). Rafael has taught all aspects of fiction directing, practical filmmaking and script development at The London Film School, The Central London Film School, The London Film Academy and The Northern Film School.
Senior Lecturer Camera Department
Belinda Parsons is an award-winning Director of Photography who has worked with production companies for all the major broadcasters, on social documentaries and TV dramas, including 3 feature lengths for S4C. She has contributed to a number of cinema shorts, and the British low budget award winning feature film THIN ICE. Belinda was nominated for a BAFTA, and awarded a Chicago Silver Hugo, and WFTV Samuelson Award for Technical Excellence.
Stage Supervisor and Gaffer
Ronaldo has been involved in the theatre, television and film industries for almost twenty years. During that time he has worked as Lighting Designer on numerous stage productions in London, Cambridge, Brighton and the Edinburgh Festival. In 1993 he joined the lighting department at Fountain Television in Wembley, working on numerous productions, including Friends, The Fast Show and Who Wants To Be A Millionaire?, rising to the position of Studio Manager in 1998.
In 2001 he decided to return to freelance work and was involved in a wide range of projects, including six months in the USA, where he was employed as Lighting Designer at Stagedoor Manor Performing Arts Training Centre in New York on productions which included Sweeney Todd, Les Miserables, Nine and The Mikado. After a tour of Britain and India with Chitraleka Dance Company on their innovative Story of C he joined the London Film School. What was originally intended to be a short-term contract has become permanent and he is now responsible for the schools lighting equipment, stages and health and safety - as well as teaching students safe use of lighting, electrics etc.
After graduating in Film and Video, Angelina trained as an off-line editing assistant, working on drama and documentary projects. Approached by Poppy Films she became assistant to Peter Goddard, assisting on many of director Tony Kaye's commercial work. Eventually, herself becoming an editor, Angelina gained extensive experience in commercials and post production supervision for advertising agencies such as AMV BBDO, Grey London and Leo Burnett working on high profile brands such as Coca Cola, Adidas, Orange and Ford Motors. She has also edited music videos and short films and assisted on several features, including AMERICAN HISTORY X directed by Tony Kaye and IN LOVE AND WAR, directed by Richard Attenborough.
As an editor on film, Angelina has co-edited CARIB'S LEAP/WESTERN DEEP for Steve McQueen and HAND ON THE SHOULDER, screened as part of Channel 4's censored series. She is on the board of governors for the Guild of British Film and TV Editors and contributes regularly to its First Frame magazine.
Senior Lecturer - Production Design
After graduating in Fine Art Carmel worked as a Theatre Designer in UK, Ireland and Berlin before training in Production Design at the National Film and Television School.
She has extensive experience as Production Designer working internationally on feature films shot in the UK and in Southern Africa, and a wide portfolio of productions including RTS award-winning shorts (‘Decisions’ for Ch 4), TV drama, drama documentaries, commercials and BAFTA award-winning Arts films (Sir Simon Rattle’s ‘Leaving Home’ for Ch 4). Feature films ‘Friends’ directed by Elaine Proctor and ‘Hijack Stories’ directed by Oliver Schmitz gained recognition in Cannes - Special Mention Palme D’Or and Un Certain Regard respectively, both securing international releases.
Carmel has combined teaching with professional practice throughout her career, devising the MA Production Design course at Northern School of Film and Television and teaching at many institutions as a visiting tutor in between film projects, including at University of Westminster, University of the Arts London, University of the Creative Arts Farnham, Royal Holloway University and as a Professional Mentor to Film Glasgow’s JumpCut Summer Production Company.
My parents were artists and performers. They produced sculpture, light shows, multi-media performances, sound and light environments, books etc. I was the 'technical' member of the family and from the arrival of a Ferrograph series 4 tape recorder when I was still at junior school I enjoyed working on the sound content of our artistic activities. After a few years working as an Audio-Visual Aids Technician in a large London school I started Film work in 1979 with a Documentary production house in Central London becoming a Freelance Sound Recordist in 1985.
Over the last 30+ years I have enjoyed sound recording all over the world on Television Documentary, Theatre, Corporate, Commercials and Drama productions.
Before joining the London Film School Karen was a freelance Sound Editor working on feature films, TV dramas and documentaries in South Africa and the UK. Member of the Association of Motion Picture Sound AMPS.
Film Music Consultant
Amit started composing at the age of 12 and his first composition was performed at the Camden Festival when he was 14. Since then, over a twenty five year career in music, Amit has composed, orchestrated and acted as music director on a broad range of projects which includes, 2 CDs with Carmel (Warner Bros), Diehard director John McTiernan, The 2nd Bakery Attack director Wolf Baschung (featured short film Sundance Festival), Greekfire (series broadcast on C4), Our Orchestra (broadcasts on WMBR Radio Boston USA), Andorra by Max Frisch directed by Michael Attenborough (Falmer Arts Centre).
Amit studied film scoring with Jerry Goldsmith, John Williams and David Raksin in the USA. Amit was the Head of Jazz Composition and Arranging at the Royal Academy of Music and has published articles on film music.
Senior Editing Lecturer
Peter Hollywood is an award-winning editor, who has been editing for over twenty years. As well as collaborating with well-known directors, such as Ridley Scott, Mike Newell and Terry Gilliam, he has been contributing to almost every genre imaginable, ranging from no-budget shorts and independent documentaries to network television and multi-million dollar features.
Camera Equipment Manager
Peter joined the LFS at the end of 2015 as the new Camera Equipment Manager. After graduating from the University of Winchester in 2010 with a Joint BA in Film and Cinema Technology and Film Studies, he started his professional career working as a camera assistant for Wide Angle UK, shooting corporate videos all over Europe and the UK.
He eventually moved on to become a Camera Preparation Technician for Movietech Camera Rentals Ltd based at Pinewood Studios. During his time there he was fortunate enough to gain hands on experience with all the industry leading camera formats and technologies and was at the forefront of the 4K movement. He eventually left Movietech in 2013 to become a freelance camera trainee / assistant and worked on several feature films and commercials such as; Under the Skin (Film 4, BFI, 2013), 47 Ronin (Universal, 2013) and The Allan Partridge Movie (Baby cow productions, 2013).”
Film Titles Consultant
Christopher studied at Brighton College of Art and works mostly as a freelance title designer, mainly on feature films but also for television drama and for film documentaries. Chris saw the transition from the use of the rostrum camera, aerial image camera and optical printer to the present digital creation of titles and whole title sequences. He has worked as a consultant at the London Film School for 9 years.
Graduated from Bilston College in the Midlands with a Diploma in Business Studies. Prior to joining the London Film School Annette was a qualified Dental Nurse.
She moved to London in March 1987 and subsequently joined The London Film School in June of the same year as Receptionist. Later this role encompassed the Finance Assistant's role. She then spent a year as acting projectionist on 16mm and 35mm to cover maternity leave in 1990.
In 2002 Annette was promoted to Admissions Manager - her current role.
Carolyn began a career in the arts in 2001 at the Dukes Theatre & Cinema in Lancaster. Since then her work has ranged from front of house and box office management to marketing, events and cinema programming. Carolyn has worked in theatres, classical music venues and museums. She has twice managed brand new fringe venues at the Edinburgh Festival, and in 2013 she traveled to Australia's Northern Territory to work for the Darwin Arts Festival.
Carolyn has been running the London Film School's workshops department since 2008.
Film Archive Manager
Ater Art college and a spell in the Theatre, Ginny began her film library career at an eclectic Soviet film archive in Highbury Corner. She has experience of many varied film archive collections and libraries, working with legacy formats, discovering, preserving and accessioning many fascinating archive films along the way. After a major project cataloguing the Central Office of Information Footage File Collection, she has worked on the WellcomeFilm digitisation project, at various commercial boutique libraries and also in a freelance capacity as Film Archivist at the Wellcome Trust.