Cinematography: An Introduction to the Art and Practice of the DoP

New Dates TBC

Cinematography: An Introduction to the Art and Practice of the DoP

Date: (awaiting dates)

Duration: 2 days (weekend)
Times:
10am-5.30pm
Capacity: Max. 8 participants
Fee: £490 Fee includes all equipment hire.

The cinematographer is one of the key creative individuals in the filmmaking process, and is certainly the craftsperson whose work audiences are most aware of. The cinematographer’s imprint is on every frame. Cinematographers can elevate a film beyond its script and subject, and they also have an ability to grind a shoot to a halt, destroying creative confidence and crew morale.

Dominic Clemence

Cinematography is much more than making pretty pictures and beautiful lighting. It has a ‘language’, and it’s about shooting films in a relevant way, in order to serve and express the script. In a larger crew, the cinematographer is the Director of Photography, managing a large camera department and working to schedule and budget.  Still, the task is the same: to create a work of visual clarity and power. 

This 2-day workshop with experienced DoP Dominic Clemence (pictured) will give an introduction to the art of cinematography, with a particular emphasis on lenses and camera movement. Participants will learn:

  • How camera angles and movement relate to drama.
  • How different lengths of lenses affect space and emotional engagement.
  • How to manage depth of field and framing to direct the audience’s attention and enhance storytelling.
  • When it feels right to shoot handheld, on a tripod or on a slider.
  • The basics of operating a camera in a shooting situation.
  • The basics of pulling focus in a shooting situation.
  • Use of storyboards to plan shots efficiently to create variety in the edit.
  • Some basics of lighting, and lights that are useful in low-budget situations.
  • How the job of a DP changes from project to project and the politics of the department within the production.

Camera images

The workshop is suitable for people with some basic knowledge of camera who are considering moving into a camera department role, and for directors who want to improve their understanding of the camera’s function in visual storytelling. It will run through the very basic aspects of camera, both theoretical and practical. The points made will be illustrated with examples from film and TV, with practical demonstrations and practical exercises.

Eight participants will work together in a tight group (an important part of cinematography), discovering adaptability, and participating fully in a series of exercises. Participants will use the Sony PXW-Fs7 camera with both prime and zoom lenses, and a lighting kit including Kino Flos and a bi-color LED panel.

The second day consists of shooting scenes with professional actors in which participants will block, rehearse, operate camera, pull focus and oversee an edit. Participants will shoot scenes in different styles and discuss how stylistic approaches lead to different dramatic results on screen.

Compilation of Northern Soul, part of the INSPECTOR GEORGE GENTLY series (BBC, 2012) Director of Photography Dominic Clemence.

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Tutor profile: Dominic Clemence, Cinematographer

Dominic Clemence studied film at the London College of Printing (now the London College of Communication) and then later at the Royal College of Art. He has worked over the last twenty years in many areas of film and television: producing, directing and filming documentaries, commercials, features and drama; but has become best known as a Director of Photography shooting many single films and mini-series for television.

Dominic’s credits include Tough Love, Torn, Kingdom, Messiah, Wire in the Blood and Silent Witness and BAFTA-nominated Hetty Feather. This broad experience gives a hugely knowledgeable overview of the filmmaking process, enabling Dominic to be creative and adaptive in a role that is regarded as the toughest on the film floor.