Package, Pilot and Pitch: Writing TV Drama
Format: 6-session Saturday course
Class Dates: 6, 13, 20, 27 May, 17 June, 8 July 2017 (all Saturdays)
Times: 10.30am - 4.30pm
Capacity: Max. 8 participants
Many of our best screenwriters learned their craft in serial drama. It is a world which is highly competitive, and it can also be highly rewarding – which is why plenty of the best stay working there. It’s also one of the reasons why it’s a difficult world to break into. This course with writer/producer Neil Arksey aims to boost your chances.
The course is aimed at experienced writers in theatre, prose, radio, comedy, advertising, or related fields, who wish to discover how TV serial drama works.
On six Saturdays, over three months in Covent Garden, eight participants will gain a thorough understanding of how continuing and serial dramas operate. The group will be taken though a step by step introduction to the various techniques and methods employed to put together these dramas.
The course will be delivered from the point of view of a writer, with an emphasis on three main areas:
- How to pitch and develop your own original idea for a drama.
- Storylining and script editing - the in-house positions for writers on continuing and serial dramas which few people outside understand or are aware exist.
- What is required of screenwriters who are contracted to write for continuing and serial dramas.
Participants will leave the course much better equipped to understand and work in the script and story offices of a continuing/serial drama. In addition to group projects, each writer will fully develop their own serial drama package, complete with pilot episode, all ready to pitch.
"The short courses currently being offered by The London Film School are hot property...They fill a really important training gap, targeting already skilled filmmakers moving on and up." John Whiston, Creative Director, Serial Dramas, ITV Studios. Read full testimonial.
Themes for the classes include:
- Serial versus Series, Continuing versus Returning
- Team Story Development
- Original Drama Ideas
- Character, Setting and Story
- Plot and Structure
- Beats and Storylines
- Scene by Scenes
- Script Editing, Revising and Redrafting
- Script Reports
- Industry insights
The course will examine the development of a continuing serial drama in depth and trace each step of how productions are managed in-house, from initial idea to full concept, storylines, block outlines, futures and scripts. In parallel with this, each participant will also be given the opportunity to develop an original serial drama idea of their own.
Applicants will be expected to have had some (not necessarily professional) writing experience. They will be required to complete substantial homework assignments to achieve full benefit. Email access and sharing email contact are essential.
The course has been designed with lengthy breaks between the final three sessions to maximise writing time and allow participants to complete the scripts of their original drama projects.
By the final week, each writer will have developed their own serial drama idea all the way to a pilot script and received one-to-one feedback on their project from Neil.
All sessions take place from 10.30am to 4.30pm.
SESSION 1: SAT 6TH MAY
- Introductions. Course timetable and outline.
- Different kinds of drama. Serial, series, continuing. Production context etc.
- Each participant will be developing their individual original serial drama to pilot.
- Brainstorming ideas for the Group Project.
- The Outline Package – what it’s comprised of.
- Group Project: Pitch Group Project ideas. Choose. Discuss setting; core characters etc.
Homework: core character outlines.
SESSION 2: SAT 13TH MAY
- Individual Project: First pitch of serial drama idea.
- Group Project: characters, setting – brainstorming ideas for stories.
- Storylining – strands and beats.
- Pitch, choose and allot pilot stories for Group Project.
Homework: Individual Project: revise idea if necessary and complete outline package for next week. Group Project: create the beats for pilot story strand.
SESSION 3: SAT 20TH MAY
- Individual Project: Pitching loglines, synopses and other elements of revised outline package.
- Group Project: sharing/discussing story beats for designated story strands.
- Turning the story strands into an episode scene-by-scene.
- Individual Project: clarifying the story strands and creating the beats for them
Homework: Group Project complete scene-by-scene. Individual Project: beats ready for a first draft scene-by-scene next week.
SESSION 4: SAT 27TH MAY
- Individual Project: pilot episode scene-by-scenes.
- Discussion of the in-house team and working methods of a continuing drama production office; and also the relationship of this to freelance writers.
- Turning the scene-by-scene into a script – scene descriptions and dialogue.
- Script editing and revising drafts.
Homework: writing first draft of Individual Project pilot script.
SESSION 5: SAT 17TH JUNE
- Individual Project: Table Reads.
Homework: revise and complete pilot script & full outline package, to deliver by email before individual session.
SESSION 6: SAT 8TH JULY
Individual Project: Series of one-to-one, meetings. Each writer will receive a verbal script report on their First Draft and Outline Package, and notes for further development.