Writing Biopics and Docudramas for Film & TV
Duration: 2 day
Capacity: Max. 15-20 participants
Fee: £220 10% Early Bird discount available for limited period.
In 2011 the two main candidates for best film Oscar were The King’s Speech and The Social Network. In 2013 the Oscar went to Argo. Today Florence Foster Jenkins, Suffragette, Bridge of Spies, Madoff and Jackie have all been sweeping the box office. All were docudramas - films based on real people. They were continuing a trend that has become increasingly significant. If you want your film to be popular, base it on reality.
This 2-day workshop with Alan Rosenthal is designed to show you how to write, create and produce docudramas and biopics, or reality based films for the cinema or TV.
The docudrama and biopic is a different form entirely from the usual drama. It necessitates different techniques and a different mind set to the standard screenplay. Writing it presents a totally different challenge.
This very practical, down to earth course shows you how to cope with that challenge. It shows you how to develop and find ideas, how to research them, create saleable and attractive proposals and treatments, how to write dialogue and continue to the finished screenplay. It also deals with adaptations, budgets, marketing, legal issues, ethics and privacy.
The course is suitable both for absolute beginners and those who already have some experience of script writing.
The course will consist include basic framework lectures, the analysis of docudrama extracts, and interactive participation. Participants are encouraged to bring along one basic biopic or docudrama idea which can be discussed and developed in class.
Topics to be discussed include:
- Choosing and developing a subject
- Differences English and US approaches to docudrama
- Hybrid forms
- Research problems
- Writing the proposal
- Limitations of the form
- Developing a treatment
- Alternative approaches to a story
- Character – conflict – and structure
- Marketing your story
- Ethics and legal problems
A number of film extracts will be analyzed in detail to illustrate their basic script problems. They include:
- Death of a Princess
- Bridge of Spies
- The Lost City of Z
- Holocaust on Trial
- Florence Foster Jenkins
- The Iron Lady
- Barbarians at the Gates
- The Texas Murdering Mum
Alan will also take the participants in detail through two of his recent docudramas (The First Fagin and The Unknown Life of Lawrence of Arabia) showing how the films were developed and how they went from idea to full screenplay.