Package, Pilot and Pitch: Writing TV Drama
Format: 6-session Saturday course (2 Mar, 9 Mar, 16 Mar, 13 Apr, 18 May, 22 Jun)
Times: 10.30am - 4.30pm
Capacity: Max. 8 participants
Many of our best screenwriters learned their craft in serial drama. It is a world which is highly competitive, and it can also be highly rewarding – which is why plenty of the best stay working there. It’s also one of the reasons why it’s a difficult world to break into. This course with writer/producer Neil Arksey aims to boost your chances.
The course is aimed at experienced writers in theatre, prose, radio, comedy, advertising, or related fields, who wish to discover how TV serial drama works.
On six Saturdays, over four months in Covent Garden, eight participants will gain a thorough understanding of how continuing and serial dramas operate. The group will be taken though a step by step introduction to the various techniques and methods employed to put together these dramas.
The course will be delivered from the point of view of a writer, with an emphasis on three main areas:
- How to pitch and develop your own original idea for a drama.
- Storylining and script editing - the in-house positions for writers on continuing and serial dramas which few people outside understand or are aware exist.
- What is required of screenwriters who are contracted to write for continuing and serial dramas.
Participants will leave the course much better equipped to understand and work in the script and story offices of a continuing/serial drama. In addition to group projects, each writer will fully develop their own serial drama package, complete with pilot episode, all ready to pitch.
Themes for the classes include:
- Serial versus Series, Continuing versus Returning
- Team Story Development
- Original Drama Ideas
- Character, Setting and Story
- Plot and Structure
- Beats and Storylines
- Scene by Scenes
- Script Editing, Revising and Redrafting
- Script Reports
- Industry insights
The course will examine the development of a continuing serial drama in depth and trace each step of how productions are managed in-house, from initial idea to full concept, storylines, block outlines, futures and scripts. In parallel with this, each participant will also be given the opportunity to develop an original serial drama idea of their own.
Applicants will be expected to have had some (not necessarily professional) writing experience. They will be required to complete substantial homework assignments to achieve full benefit. Email access and sharing email contact are essential.
The course has been designed with lengthy breaks between sessions to maximise writing time and allow participants to complete the scripts of their original drama projects.
By the final week, each writer will have developed their own serial drama idea all the way to a pilot script and received one-to-one feedback on their project from Neil.
All sessions take place from 10.30am to 4.30pm.
- Introductions. Course timetable and outline.
- Different kinds of drama. Serial, series, continuing. Production context etc.
- Each participant will be developing their individual original serial drama to pilot.
- Brainstorming ideas for the Group Project.
- The Outline Package – what it’s comprised of.
- Group Project: Pitch Group Project ideas. Choose. Discuss setting; core characters etc.
Homework: core character outlines.
- Individual Project: First pitch of serial drama idea.
- Group Project: characters, setting – brainstorming ideas for stories.
- Storylining – strands and beats.
- Pitch, choose and allot pilot stories for Group Project.
Homework: Individual Project: revise idea if necessary and complete outline package for next week. Group Project: create the beats for pilot story strand.
- Individual Project: Pitching loglines, synopses and other elements of revised outline package.
- Group Project: sharing/discussing story beats for designated story strands.
- Turning the story strands into an episode scene-by-scene.
- Individual Project: clarifying the story strands and creating the beats for them
Homework: Group Project complete scene-by-scene. Individual Project: beats ready for a first draft scene-by-scene next week.
- Individual Project: pilot episode scene-by-scenes.
- Discussion of the in-house team and working methods of a continuing drama production office; and also the relationship of this to freelance writers.
- Turning the scene-by-scene into a script – scene descriptions and dialogue.
- Script editing and revising drafts.
Homework: writing first draft of Individual Project pilot script.
- Individual Project: Table Reads.
Homework: revise and complete pilot script & full outline package, to deliver by email before individual session.
Individual Project: Series of one-to-one, meetings. Each writer will receive a verbal script report on their First Draft and Outline Package, and notes for further development.
"I came to this course to improve my scene writing and came away having massively improved my story writing. It is incredible how elusive story can be and this course nailed it. Neil Arksey is a highly experienced and insightful tutor who gives 110% to each student. I learned the true nature of what a 'beat' is and how to craft a coherent visual story. The work was challenging and intense in the best of ways. I enjoyed working with my very talented peers and cannot recommend the course enough."
Margot Wilson, Participant 2017
"I started out with a kernel of an idea and ended up with a proposal pack! The combination of the group work and the individual projects really worked for me, and allowed me to understand the best methods for properly realising a tv drama concept rather than trying to write a script straight off! Neil taught me that preparation is everything - you can't solve a jigsaw if you don't have the pieces - and he is a great teacher. The classes are well structured and most importantly, they are fun. These tools will stay with me when I work up any script idea from now on, and I completed the course with so much more inspiration than when I started."
Becky Shaw, Participant 2017