Tutor profile: Aasaf Ainapore, Director
Aasaf Ainapore's workshops at LFS
Aasaf is a multiple award-winning director of branded online content, TV commercials and short films with twenty years of experience. He has also developed feature film projects and television shows for US studios, British production companies and broadcasters including the BBC and ITV and Pathe. Aasaf is a visiting lecturer in directing at the Met Film School and also up skills professional directors moving from broadcast to branded content and commercials at DV Talent. Aasaf has also consulted on the creation of series-based content across the Telegraph Media Group.
Tutor profile: Alex Boutellier, Cinematographer
Alex Boutellier's workshops at LFS
Alex Boutellier is a freelance cinematographer with over 15 years of professional experience in the film and television industry. His credits include feature length and short films, documentaries and commercials for television, and web content such as news and advertisements for corporate clients. Originally from Switzerland, he is currently based in the UK. A scholarship recipient of the London Film School and the University of Exeter 'Film by Practice' PhD program, his research on the impact of disruptive new technologies on the role of the cinematographer in the modern film industry will be completed in 2019.
Tutor profile: Alison Norrington, Writer/Producer
Alison Norrington's workshops at LFS
Alison Norrington is a writer/producer, CEO, Founder & Chief Creative Director of storycentral, a London-based entertainment studio that incubates and develops ground-breaking transmedia properties with global partners in film, television, publishing and gaming.
Alison and her team are working with filmmakers, writers, publishers, broadcasters, storytellers and technology start ups globally on incubating new franchises, participative experiences, production, story architecture, mythology and planning, prototyping, audience development & engagement and utilizing social media.
Alison is a best-selling novelist, playwright and screenwriter with a Masters Degree in Creative Writing & New Media and a PhD researcher. Over her 20-year career she has worked with and consulted to AMC, SundanceTV, Walt Disney Imagineering, FOX International, Harlequin Mills & Boon, McCann, Coca Cola, F&W Media, Eurovision Broadcasting Union, Cedars-Sinai Medical Centre, First Hand Films. She is currently writing and producing a web-series with LA partners and working with emerging film-makers in Sweden.
Alison is writer and producer of webseries THE LOEDOWN, author of 3 bestselling novels – CLASS ACT, LOOK BEFORE YOU LEAP and THREE OF A KIND and creator of the first transmedia romcom STAYING SINGLE. She has also written plays A FISH & A BONSAI and PISTOLS AT DAWN.
Alison is the European Academy (EBU) Eurovision Transmedia Masterclass trainer and runs workshops, training programs and labs worldwide. She is a judge for a series of global media festivals including Banff World Media Festival, Canada Media Fund, Publishing Innovation Awards and Independent Production Fund (Canada) and Digital Emmy Awards.
Alison was Conference Chair for StoryWorld Conference & Expo in Los Angeles, is a TEDx speaker and has presented at a number of conferences including Digital Book World, London Book Fair, Asia Media Summit, Eurovision TV Summit, London Screenwriters Festival and Story Expo LA, tapping her expertise in building transmedia properties and digital content for commercial and niche audiences.
She is featured on the BAFTA Guru series and is a member of the International Academy of Television Arts & Sciences, The Writers Guild of Great Britain, Women in Film & TV and the Romantic Novelists Association.
Tutor profile: Barrie Vince, Editor
Barrie Vince's workshops at LFS
In parallel to a successful career as a fiction film and documentary editor spanning four decades, Barrie has helped develop the talent of many young editors through his teaching. He was appointed twice Head of Editing - first at the National Film and Television School and later in the same capacity he set up the editing department at the Norwegian Film School, when the school opened in 1998. He currently continues to work both as a Visiting Lecturer for several institutions in the UK and in Europe and he has also been a member of several Editing and Film Production Committees at BAFTA and at the Arts Council of Great Britain.
I owe a huge debt to the film director Sidney Furie. In 1966, while we were editing THE NAKED RUNNER, he explained how decisions on how to cover a scene (and therefore how it should be cut) were made through analysing its dramatic structure. Over the next eight years this concept alone proved invaluable editing, for instance, NEGATIVES (Peter Medak), THE TRIPLE ECHO (Michael Apted), THE MOON AND THE SLEDGEHAMMER (Philip Trevelyan), THE OPIUM WARLORDS (Adrian Cowell) and, above all, the recently re-released (to considerable acclaim) DEEP END (Jerzy Skolimowski). In 1974 I was invited to join the NFTS, initially as Head of Editing and encouraged to return as often as I liked to filmmaking, an arrangement which enabled me to develop in both roles. In the next nineteen years I returned several times to the NFTS as General Tutor, First Year Co-ordinator etc. building up a compendium of concepts that support and articulate the craft of filmmaking. During this time I not only edited A PRIVATE FUNCTION (Malcolm Mobray), THE SHOUT and MOONLIGHTING (Skolimowski) but also co-wrote MOONLIGHTING, which won Best Script award at Cannes in 1982. I also directed FREEDOM TRAIN, a documentary for Central TV. In 1992 Paul Bamborough, the co-inventor of Lightworks, asked for my comments on a prototype and later that year I chose the system, which remains my digital weapon of choice, to edit RUNNING LATE (Udayan Prasad). Since 1993 I have continued to edit for Udayan and Malcolm, Simon Shore (GET REAL), Charles MacDougall (HILLSBOROUGH -for which I was awarded a BAFTA), Mike Grigsby (THE SCORE), Kim Longinotto (DIVORCE IRANIAN STYLE) et al. I have been a visiting tutor at the European Film College, the Metropolitan Film School, the Central Film School, the London Film Academy, the London Film School and the University of Westminster MA in Directing course. I run an editing workshop each year at the NFTS and every two years at the Cologne International Film School.
Tutor profile: Beth Multer, Script Supervisor
Beth Multer's workshops at LFS
Beth Multer is a Script Supervisor specialising in American Independent Films. Since 1999, she has worked on over 20 features including WRISTCUTTERS, THE TENANTS, MY SUICIDE, and MAY. In addition to films, she has worked on commercials, television and other projects for companies such as Comedy Central, Discovery Channel, Spike TV, Showtime, MTV/Paramount, Dangerous Films, Carsey-Werner, ABC, First Tuesday Media and more. She holds a BFA in Film from New York University’s Tisch School of the Arts, and a Certificate in Directing from the American Film Institute’s Center for Advanced Film and Television Studies. She uses ScriptE Digital software on set.
Tutor profile: David McHenry, Production Designer / Art Director
David McHenry's workshops at LFS
David McHenry has over 35 years' experience in film and television design. He is presently working on OUTLANDER. Recent work includes BLACK SAILS, Peter Kosminsky's THE STATE and GAME OF THRONES. His work in feature films as production designer includes LOVE AND DEATH ON LONG ISLAND and JACKBOOTS ON WHITEHALL. He also worked as a draftsman on JOHN WICK 3 and as set designer on DREDD and RUSH. Extensive TV design credits include INSPECTOR MORSE.
Tutor profile: Ellis Freeman, Screenwriter
Ellis Freeman's workshops at LFS
With a background in print and TV journalism, Ellis has been writing screenplays for over 15 years. He has had commissions from BFI, Channel Four, The Film Council, Rai (Italy), Fox Searchlight and the MEDIA programme.
With Brazilian director, Henrique Goldman, he wrote PRINCESA, an award-winning feature about a transvestite prostitute living in Milan. The film was screened at the Sundance festival 2001 and has been released in the US, UK, France, Germany and Scandinavia. He also co-wrote JANUARY 2ND, a comedy feature for director Matt Winn which screened widely at festivals.
A regular lecturer at the London Film School, Ellis also teaches creative writing seminars at the DFFB in Berlin for directors, writers and producers. He is an advisor at the Binger Filmlab in Amsterdam, a tutor on the Low Budget Film Forum and has held creative writing workshops at the Scuola Holden in Turin and the Berlinale Talents.
He is currently developing a TV thriller series for Sixteen Films, producer Rebecca O’Brien and director, Tim Fywell. He is also developing a slate of feature projects with Clownfish Films, the company he runs with producing partner, Luke Schiller.
Tutor profile: Emma Dobinson, Producer, Production Manager & Trainer
Emma Dobinson's workshops at LFS
With over 20 years media experience, Emma Dobinson is a versatile Producer, Production Manager and Trainer, one who has been responsible for developing and delivering successful film, TV, social media and live projects as well as training packages of value, quality and worth.
Tutor profile: Fleur Whitlock, Production Designer & Art Director
Fleur Whitlock's workshops at LFS
Fleur Whitlock is an art director and production designer with nearly thirty years experience at all levels of the film and TV industry including some well-respected TV series such as INSPECTOR MORSE, LOVE HURTS, KAVANAGH QC, THE LAKES, RUTH RENDELL MYSTERIES and POIROT. She designed over 40 episodes of the popular police series THE BILL.
Fleur has worked around the world on a variety of productions including the BBC drama documentary series DISCOVERING ANCIENT EGYPT filmed entirely on location in Egypt and KROD MANDOON & THE FLAMING SWORD OF FIRE shot in Budapest for Comedy Central. Perhaps her most challenging foreign assignment was to design a domestically produced soap opera in Kazakhstan (PEREKRESTOK) modelled on the BBC’s ‘EastEnders’!
Her feature film experience is extensive and includes such diverse productions as CHURCHILL: THE HOLLYWOOD YEARS directed by Comic Strip creator Peter Richardson, LOVE & DEATH ON LONG ISLAND (starring John Hurt & Jason Priestly), an adaptation of HEIDI (starring Max von Sydow) shot in Slovenia and the epic 10,000BC directed by Roland Emmerich filmed in South Africa and Namibia. As Supervising Art Director on THE LIBERTINE (starring Jonny Depp, Samantha Morton and John Malkovich) she was responsible for the recreation of a 17th Century Restoration theatre and many period sets on location.
In recent years, Fleur has collaborated with Grenville Horner on adaptations of OLIVER TWIST and WUTHERING HEIGHTS for the BBC directed by Coky Giedroyc; comedy series REV and EPISODES (starring Matt Le Blanc); drama series JEKYLL written by Stephen Moffat and Kay Mellor’s contemporary drama THE SYNDICATE. Fleur and Grenville co-designed HARRY HILL: THE MOVIE, a surreal and anarchic road trip with comedian Harry Hill and his pet hamster...
Her recent projects couldn’t be more different: a pilot for AMC about an 18th Century surgeon (KNIFEMAN), a feature length drama for BBC about the televising of the trial of Adolf Eichmann in 1961 (THE EICHMANN SHOW), the dramatised biography of comedian Lenny Henry set in 1970s Birmingham (DANNY & THE HUMAN ZOO) and the just completed two-part original drama MAN IN AN ORANGE SHIRT scripted by novelist Patrick Gale.
Fleur regularly runs Production Design modules at the London Film School and has taught technical drawing at Wimbledon School of Art. In 2014, she was one of the ‘experts’ taking part in the first Art Department Masterclass workshops held in Vilnius, Lithuania.
Tutor profile: Gustavo Costantini, Editor & Sound Designer
Gustavo Costantini's workshops at LFS
Gustavo Costantini, Michel Chion's disciple, is an Argentinian sound designer and editor, and also a musician, working on feature films, documentaries, theatre and sound installations and video art. Researcher and Professor of Sound and Editing at the University of Buenos Aires, University of Cinema, and at the National University Institute for the Arts (IUNA), he is a visiting lecturer of renowned universities and film schools around the world.
Member of the Board of The New Soundtrack magazine, he also teaches in Great Britain, Germany, and Denmark. He has collaborated with Academy Award-winning Sound Editor Walter Murch (APOCALYPSE NOW, THE WOLFMAN) and Atom Egoyan (THE SWEET HEREAFTER, ARARAT) on masterclasses.