Tutor profile: Neil Arksey, Screenwriter and Series Story Producer
Neil Arksey's workshops at LFS
As screenwriter, story editor and consultant, head writer and series producer Neil Arksey has been responsible for over a thousand episodes of serial drama at home and abroad. In the UK, he has worked on shows such as CROSSROADS, FAMILY AFFAIRS, DOCTORS, MILE HIGH, and RIVER CITY. And abroad, amongst other projects, he was head writer on Salatut Elämät, a 5-day-a-week soap in Finland, and series story producer on Jóban Rosszban, a continuing hospital drama set and based in Budapest.
In addition to working as a writer and producer, Neil has taught writing at several universities, colleges and film schools. He is the author of a number of popular books for children, teenagers and young adults, published by Penguin and Random House, including Playing on the Edge, Brooksie and Flint.
Tutor profile: Sue Austen, Module 3 Leader and Term 6+ Tutors
Sue Austen's workshops at LFS
Sue has worked in independent film and television production since 1982. Her career began at the now legendary Goldcrest Films, where she worked for four years on programmes produced for the new Channel 4. After Goldcrest’s collapse Sue spent a short time as a freelance script editor, before joining Granada Films as Head of Development. Whilst there she worked on a number of feature films including David Hare’s STRAPLESS and Aisling Walsh’s first feature, JOYRIDERS. Sue left Granada to co-produce the medical thriller, PAPER MASK, co-funded by Film 4 and British Screen, released in over 70 territories and selected as the closing film in Director’s Fortnight at the Cannes Film Festival in 1990.
Sue then spent 5 years working at the European Script Fund, part of the MEDIA (Creative Europe) organisation and returned to production in 1997 with her first television film, VICIOUS CIRCLE, developed and produced for BBC Films and Irish Screen. This was followed by the BAFTA nominated comedy drama DONOVAN QUICK starring Colin Firth. Over the next twelve years she produced more than 50 hours of primetime television drama for BBC1, BBC2 and ITV and received a second BAFTA nomination.
She continues to develop new productions as well as tutoring and lecturing part time at the London Film School, Goldsmiths University, Serial Eyes and Regents University.
Tutor profile: Tim Fywell, Director
Tim Fywell's workshops at LFS
Tim Fywell is one of the most accomplished directors of drama working in UK television today. The range of his work extends from GRANTCHESTER (2014, 2016 & 2017) to HAPPY VALLEY (2014); from MASTERS OF SEX (2013) to DRACULA (2014); from CRACKER (1994, To Be a Somebody, with Robert Carlyle) to MADAME BOVARY (2000, adapted by Heidi Thomas); from Sarah Waters’ AFFINITY (2008, adapted by Andrew Davies) to THE TURN OF THE SCREW (2009, adapted by Sandy Welch); plus SILENT WITNESS, WAKING THE DEAD, THE NO. 1 LADIES DETECTIVE AGENCY, DCI BANKS, LEWIS and WODEHOUSE IN EXILE (TV Movie, 2013). Tim's next project to air will be the forthcoming BBC1 drama series RIVER (2015), created and written by Abi Morgan, starring Stellan Skarsgård.
Tim’s feature credits include I CAPTURE THE CASTLE (2003) with Romola Garai, Bill Nighy, Rose Byrne and Tara Fitzgerald, and THE ICE PRINCESS (2005) with Michelle Trachtenberg, Joan Cusack and Kim Cattrall. Tim studied English at Cambridge University and began his professional career directing in fringe theatre before moving on to the West End.
Some of his theatrical credits include: LES LIAISONS DANGEREUSES (Playhouse Theatre); SKIRMISHES (Hampstead Theatre); RED SATURDAY (Royal Court); THE MOTHER COUNTRY (Riverside Studios); HITTINGTOWN (Bush Theatre); NO HAND SIGNALS (National Theatre), which he wrote and directed; I MADE IT MA TOP OF THE WORLD which he devised and directed at the Royal Court, and SPRING AWAKENING (Royal Court).
Tutor profile: Tracey Gardiner, Producer
Tracey Gardiner's workshops at LFS
Tracey Gardiner entered television after a career as a stockbroker in the City, when she joined FulcrumTV. After more than fifteen years at Fulcrum she then set up her own production company, Iridescent Films, which made the three part BBC 2 series PILGRIMAGE with Simon Reeve (a co-production with Lion Television). She is currently the executive producer of a feature length documentary, 100 MEN, funded by the New Zealand Film Commission and MPI Distribution.
Tracey started out making programmes about business and current affairs over twenty years ago but then branched out into science, arts, history and observational documentaries, putting together international co-production deals and private finance to fund projects. Key award winners include: KEYS TO THE CASTLE (BBC) which won A Scottish BAFTA and RTS in 2015; THE WINNER LOSER (BBC), shortlisted at IDFA and winner of the Scottish Mental Health Arts and Film Festival Award in; HOW M&S LOST ITS BILLIONS (C5) Wincott, Best Documentary; SIGHTHILL STORIES (BBC) Scottish BAFTA; SEND ME SOMEWHERE SPECIAL (BBC) Grierson Newcomer Winner.
The Daily Mail said about PILGRIMAGE: “a truly miraculous journey”, TV Times: “a truly engaging first leg...4 stars”, Daily Mail: “The excellent Simon Reeve returns with a three-part series...illuminating, engaging and enjoyable viewing” and the Mail on Sunday said “a life - affirming new series...4 stars”
On BBC1 documentary TOO OLD TO BE A MUM? (2010) The Telegraph said: The film tiptoed through the ethical eggshells with an equanimity that did its makers proud. The bare facts spoke loudly enough...this was a perfect subject for a television documentary, because the pictures made their own argument."
Tutor profile: Udayan Prasad, Director
Udayan Prasad's workshops at LFS
Udayan Prasad has been directing documentaries, television drama and feature films since graduating from the National Film & Television School in 1983. His feature films include Brothers In Trouble, 1995, My Son The Fanatic 1997, and The Yellow Handkerchief, 2008. His television credits include 102 Boulevard Haussman, 1991 and Talking Heads 2: Playing Sandwiches by Alan Bennett along with They Never Slept 1989, Running Late 1992 and Femme Fatale 1992 by Simon Gray. His TV series credits include Silent Witness 2010 for BBC TV, two episodes of The Tunnel 2013 for Sky Atlantic and the grand finale of The Musketeers 2016 for BBC TV. He was lead director and executive producer on the first series of Selection Day 2018 for Netflix.
When not actively involved in production, he is a frequent visiting lecturer on directing and screenwriting programmes at several film schools including London Film School and The National Film & Television School in the UK; The Wajda School in Warsaw, the National Film, Television and Theatre School in Łódź́́ and Gdynia Film School in Poland. He is also an advisor and mentor on various international directing and screenwriting workshops.
Tutor profile: Yarit Dor, Intimacy Coordinator & Co-founder of IDI-UK
Yarit Dor's workshops at LFS
Yarit Dor is an IDI certified Intimacy Coordinator, co-founder of IDI-UK and co-director of Moving Body Arts. She is the Education Manager and Lead Instructor for IDI-UK’s Intimacy Coordination Accreditation Programme training intimacy coordinators for the UK and EU industry. Her intimacy coordination credits for TV & Film include: Adult Material (Channel 4), Domina (Sky TV), The Nevers (HBO), White Lines (Netflix), Spanish Princess 2 (Starz) and currently working on shows produced by BBC Studios and Amazon.
Tutor profile: Zillah Bowes, Writer, Director
Zillah Bowes's workshops at LFS
Zillah is a director, writer and photographer. She studied at the National Film and Television School before working as a cinematographer, then as a director. Her debut as a director, SMALL PROTESTS, was nominated for a Grierson Award, and won the Current Short Cuts Award and Best Short Documentary at the London Independent Film Festival.
She has worked as a director on several documentary series for BBC, Channel 4 and online, and has collaborated on films and music videos with Turner prize-winning artist and musician Martin Creed. As a cinematographer, her feature films include ENEMIES OF HAPPINESS, which won the World Cinema Jury Prize at Sundance Film Festival.
Zillah won The Wordsworth Trust Prize in 2017 and Poems on the Buses in 2018. She was shortlisted for the Manchester Poetry Prize and the Alpine Fellowship in 2018, and the Wasafiri New Writing Prize in 2016. She won a Creative Wales Award in 2017 to develop a film series using her own writing.
She has recently completed her short fiction film STAYING (AROS MAE) with Ken Loach’s Sixteen Films, funded by Ffilm Cymru Wales/BFI and BBC, and is developing new fiction projects including her first feature as writer/director. Her solo photographic exhibition GREEN DARK, supported by the Arts Council of Wales, will tour in 2020-21. She has taught at the NFTS and several other institutions as well as the LFS.