Secretary to the Board of Governors
Robin joins London Film School as our Secretary. He has been a solicitor for 29 years, spending most of his time in the public sector and also with Eversheds LLP as a Senior Associate. He has held a number of senior roles in the higher education sector, including University Solicitor at Brunel University and University Secretary to both Lincoln and Cork universities. He was also the Secretary and Director at a Fire Authority. He has a background in the charity sector, where he was the Head of Legal at the Woodland Trust and then the Company Secretary at Arthritis Research UK. Robin joins the School from LAMDA, where he was the Secretary. He has also spent time as a retained firefighter and until recently served as a member of the Independent Monitoring Board at HMP Lincoln. He is also working on his first novel and spending time building his niche legal consultancy, which includes advising some up and coming bands.
Term 4 Tutor
Rosie initially trained as a Film and Installation artist at Central St Martins College of Art exhibiting work in venues such as Camden Arts Centre, London, Tate Gallery Liverpool, Centre for Contemporary Art, Glasgow etc before starting to make short narrative films. She has worked for many years as an independent film-maker making films commissioned by BFI Network, Creative Scotland and UK Film Council amongst others exhibiting work at many film festivals in the UK and internationally. She was chosen to take part in training at Binger Film Lab, EAVE and Feature Expanded. She is currently developing projects with Berkeley Street Productions. She has extensive Freelance experience working for BBC, BBC Scotland and other broadcasters on Arts Programming. She has also worked in Higher Education for many years teaching Film Production and is a Fellow of the Higher Education Academy having taught at the University of Glasgow, York St John University and for BFI Education.
Saskia van Roomen
Course Leader MA Screenwriting and Head of Screenwriting
Sophia Wellington began her film career on the floor – literally: placing marks for Richard Gere as a camera assistant. After years in the camera department, working on a number of Anglo-American features, Sophia moved into the cutting room where she is, to her knowledge, the only (living) assistant editor to get an apology out of Harvey Weinstein.
Sophia moved into script development in 2003 when she joined World Productions to develop a feature slate for their production deal with Sony Columbia. During this time, she worked with a variety of writers and directors on films including Layer Cake and Becoming Jane.
Another move, this time to Singapore where Sophia taught screenwriting for the Graduate Film and Dramatic Writing programmes of NYU Tisch School of the Arts Asia. Returning to London in 2015, Sophia combines teaching with writing and script development whilst maintaining her links with the South East Asian film industry. She runs feature workshops for the Cinemalaya Institute in Manila and recent script consultancy credits include Remittance (2016) a low budget feature exploring the life of migrant workers in Singapore and the upcoming Polis Evo 2, (2018) a high octane, Malaysian action movie.
Module 3 Leader and Term 6+ Tutors
Sue has worked in independent film and television production since 1982. Her career began at the now legendary Goldcrest Films, where she worked for four years on programmes produced for the new Channel 4. After Goldcrest’s collapse Sue spent a short time as a freelance script editor, before joining Granada Films as Head of Development. Whilst there she worked on a number of feature films including David Hare’s STRAPLESS and Aisling Walsh’s first feature, JOYRIDERS. Sue left Granada to co-produce the medical thriller, PAPER MASK, co-funded by Film 4 and British Screen, released in over 70 territories and selected as the closing film in Director’s Fortnight at the Cannes Film Festival in 1990.
Sue then spent 5 years working at the European Script Fund, part of the MEDIA (Creative Europe) organisation and returned to production in 1997 with her first television film, VICIOUS CIRCLE, developed and produced for BBC Films and Irish Screen. This was followed by the BAFTA nominated comedy drama DONOVAN QUICK starring Colin Firth. Over the next twelve years she produced more than 50 hours of primetime television drama for BBC1, BBC2 and ITV and received a second BAFTA nomination.
She continues to develop new productions as well as tutoring and lecturing part time at the London Film School, Goldsmiths University, Serial Eyes and Regents University.
Head of Camera
Timo Heinänen F.S.C., cinematographer and previously a professor at Aalto University, Finland. Heinänen’s established career as a cinematographer and educator is irreprehensible; he is skilled across features, short films, documentaries, tv and commercials for over 30 years, with deep educational practice alongside serving as deputy board member of the European Federation of Cinematographers (IMAGO) educational committee, Vice President of Finnish Society of Cinematographers (F.S.C.) and speaker at the ASC International Cinematographers Summit. Heinänen is currently in pre-production on ‘Puluboin ja Ponin leffa’ (2018).
Assistant Management Accountant
MAIFB - Course Leader
Head of Sound
Studied Electrical Engineering, after graduating worked for a number of years as a service engineer and industrial product designer. Sound recordist on a number of factual, educational and documentary strands for BBC and Channel 4 such as Inside Tracks, On the Record, Panorama, Breaking the Fear (independent feature) and shorts You're In There Ltd. and Konfident.