Director and Chief Executive Officer
Gisli Snaer is an award-winning film director, and a graduate of La Fémis in Paris, France.
He comes to London Film School after heading up the Puttnam School of Film, LASALLE College of the Arts in Singapore.
Snaer is an Associate Member of BAFTA, has served as a member of the international jury at the 2002 Berlin International Film Festival Kinderfilmfest, the Ale Kino Film Festival in Poland 2003, Singapore Creative Video Competition 2011, 2014 and 2015 Endeavours International Documentary Film Festival in Singapore, Autism Uncut by The National Autistic Society in U.K., Fastnet Film Festival 2017 and 2018 in Ireland, the BAFTA recognised 2017 Aesthetica Short Film Festival in U.K. and as a Head Jury for the Asian European Foundation photo competition 2015 ‘On The Go’.
Snaer is a member of the European Film Academy, the Royal Television Society, the Directors Guild of Iceland, and the Federation of European Film Directors. His academic research interests include Adaptation of a Novel to Screen, Ambiguity and Subtext in Visual Media, The Evolution of Story, Storymaking and Storytelling.
Deputy Director and Chief Operating Officer
Prior to joining the London Film School as Head of LFS OPEN, Dan acted as Partnership Manager for Creative Skillset, helping talent and businesses across film, TV, animation, VFX and games to develop their skills and careers, access training and development support, and connect talent to the industry.
Previously Dan has run multimillion-pound film and TV investment funds supporting both production and development, acting as Executive Producer on a string of hit feature film and TV drama projects garnering BAFTAs, Golden Globes and many more awards including One Mile Away, Line of Duty and Dancing on the Edge.
Dan has also delivered major creative industries projects including Film Nation: Shorts, the official, UK-wide young people’s filmmaking competition of the London 2012 Olympic & Paralympic Games.
Head of Studies and MA Filmmaking Course Leader
Femi Kolade has been a professional film and TV Writer, Director, Producer, Script Editor/Developer, Lecturer/Tutor, Higher Education and Media Education Manager for over twenty years. He has worked as a writer/director, producer, script reader and editor for film and TV companies such as Miramax, BBC Films, Celador Films, Bendit Films, FilmFour, Spiritdance, Bard Entertainments, ITV, Channel Four and for filmmakers Stephen Frears, Gurinder Chadha, and Forest Whitaker.
As an educator, consultant, project manager, and lecturer, Femi has worked extensively managing and developing curricula in Higher Education and on various film, media education and combined arts projects for institutions and companies such as London Film School (LFS), University of West England, National Film and Television School (NFTS), Central Film School (CFSL), Southampton University, Sgrin, the UK Film Council, the British Film Institute (BFI), Film London, Arts Council, Mofilm, Arista Development, Skillset, Real World Records, and the Getty Centre for Arts and Humanities. Femi has also served as a board director for the South West Media Development Agency and the BFI’s Black World. He is also the founder of Bushfire Digital Media, an independent digital media company that has just completed a three-year incubation programme as part of Ravensbourne’s Digital Media Innovation Cluster (DMIC). The company focuses on leveraging digital technologies to create more targeted and effective 21st-century professional media training as well as developing intellectual property in global media content.
He holds an MA degree in Film and Television Direction from the National Film and Television School (NFTS), and a BA (Hons) in Classics from the University of Bristol.
Philip Ramge joined the London Film School in February 2015. Upon completion his studies in Australia, he moved to the UK to pursue a career in Higher Education. After working as lecturer and course leader for a number of years, Philip focussed on higher education management, both at campus, national and European level. Throughout his career, he worked on a series of academic quality reviews, administrative and compliance reviews, and programme validations. Before joining LFS, Philip oversaw academic quality and academic partnerships across Europe for a private higher education provider. In his position at LFS, he leads Academic Registry and oversees policies and regulations, admissions, academic quality, programme administration, partnership administration, compliance, and U.S. Federal Student Aid.
Outside of LFS, Philip is a member of the Board of Directors of the International Education Council based in Washington, DC, USA.
Head of Human Resources
Michelle has recently joined the team to set up a HR function at London Film School, having lengthy experience working in senior HR positions for education and charitable organisations. She works as part of the LFS Management Team to address all employment related matters at the School (e.g. recruitment, contracts, staff engagement etc).
Head of Marketing and Student Recruitment
Véronique heads up marketing and student recruitment at the School. Having previously worked in the Financial sector and at Conservatoires, such as Trinity Laban and Barclays Capital, she comes with a track record of applying thoughtful curiosity and tenacity to marketing and sales. Véronique has previously transformed organisational performance and delivered brand results at small specialist institutions. At LFS, Véronique manages the brand profile with a small team, ensuring new filmmaking talent is attracted to LFS' world-class programmes.
IT and Marketing Officer
Short Course Programme Manager
Prior to joining London Film School, Amira spent most of her career immersed in the film festival world, working mostly in administration, programming and event production. She spent 5 years as the Delegate Services Manager with Hot Docs, where she oversaw the guest relations and registration departments, and coordinated logistics for all industry delegates. She’s been involved in the successful delivery of some of the biggest film festivals and events including the Toronto International Film Festival, Sheffield Doc/Fest, the World Congress of Science and Factual Producers and the Cork Film Festival.
After graduating in Film and Video, Angelina trained as an off-line editing assistant, working on drama and documentary projects. Approached by Poppy Films she became assistant to Peter Goddard, assisting on many of director Tony Kaye's commercial work. Eventually, herself becoming an editor, Angelina gained extensive experience in commercials and post production supervision for advertising agencies such as AMV BBDO, Grey London and Leo Burnett working on high profile brands such as Coca Cola, Adidas, Orange and Ford Motors. She has also edited music videos and short films and assisted on several features, including AMERICAN HISTORY X directed by Tony Kaye and IN LOVE AND WAR, directed by Richard Attenborough.
As an editor on film, Angelina has co-edited CARIB'S LEAP/WESTERN DEEP for Steve McQueen and HAND ON THE SHOULDER, screened as part of Channel 4's censored series. She is on the board of governors for the Guild of British Film and TV Editors and contributes regularly to its First Frame magazine.
Graduated from Bilston College in the Midlands with a Diploma in Business Studies. Prior to joining the London Film School Annette was a qualified Dental Nurse.
She moved to London in March 1987 and subsequently joined The London Film School in June of the same year as Receptionist. Later this role encompassed the Finance Assistant's role. She then spent a year as acting projectionist on 16mm and 35mm to cover maternity leave in 1990.
In 2002 Annette was promoted to Admissions Manager - her current role.
Senior Lecturer - Camera
Belinda Parsons is an award-winning Director of Photography who has worked with production companies for all the major broadcasters, on social documentaries and TV dramas, including 3 feature lengths for S4C. She has contributed to a number of cinema shorts, and the British low budget award winning feature film THIN ICE. Belinda was nominated for a BAFTA, and awarded a Chicago Silver Hugo, and WFTV Samuelson Award for Technical Excellence.
My parents were artists and performers. They produced sculpture, light shows, multi-media performances, sound and light environments, books etc. I was the 'technical' member of the family and from the arrival of a Ferrograph series 4 tape recorder when I was still at junior school I enjoyed working on the sound content of our artistic activities. After a few years working as an Audio-Visual Aids Technician in a large London school I started Film work in 1979 with a Documentary production house in Central London becoming a Freelance Sound Recordist in 1985.
Over the last 30+ years I have enjoyed sound recording all over the world on Television Documentary, Theatre, Corporate, Commercials and Drama productions.
Senior Lecturer - Production Design
After graduating in Fine Art Carmel worked as a Theatre Designer in UK, Ireland and Berlin before training in Production Design at the National Film and Television School.
She has extensive experience as Production Designer working internationally on feature films shot in the UK and in Southern Africa, and a wide portfolio of productions including RTS award-winning shorts (‘Decisions’ for Ch 4), TV drama, drama documentaries, commercials and BAFTA award-winning Arts films (Sir Simon Rattle’s ‘Leaving Home’ for Ch 4). Feature films ‘Friends’ directed by Elaine Proctor and ‘Hijack Stories’ directed by Oliver Schmitz gained recognition in Cannes - Special Mention Palme D’Or and Un Certain Regard respectively, both securing international releases.
Carmel has combined teaching with professional practice throughout her career, devising the MA Production Design course at Northern School of Film and Television and teaching at many institutions as a visiting tutor in between film projects, including at University of Westminster, University of the Arts London, University of the Creative Arts Farnham, Royal Holloway University and as a Professional Mentor to Film Glasgow’s JumpCut Summer Production Company.