Staff

Ginette heads up the Library, Film Archive and Film Festivals and Distribution Dept at London Film School. Ginette has worked in audio- visual archives and organisations for over twenty years and with Film Festivals for over six years. Previous roles include Film Librarian ETV (Soviet Film Archives), Acquisitions and COI collections Manager at Film Images, Asst. Curator Moving Image Collections, Wellcome Trust, Freelance Film Archivist, Welcome Trust, Manager Clips&Footage Ltd, Sales Manager Footage Farm and Film Archive Manager at London Film School.

Amit started composing at the age of 12 and his first composition was performed at the Camden Festival when he was 14.

Sue has worked in independent film and television production since 1982.  Her career began at the now legendary Goldcrest Films, where she worked for four years on programmes produced for the new Channel 4.

Graduated from Bilston College in the Midlands with a Diploma in Business Studies. Prior to joining the London Film School Annette was a qualified Dental Nurse.  

She moved to London in March 1987 and subsequently joined The London Film School in June of the same year as Receptionist. Later this role encompassed the Finance Assistant's role. She then spent a year as acting projectionist on 16mm and 35mm to cover maternity leave in 1990.    

In 2002 Annette was promoted to Admissions Manager - her current role.

Before joining the London Film School Karen was a freelance Sound Editor working on feature films, TV dramas and documentaries in South Africa and the UK. Member of the Association of Motion Picture Sound AMPS.

Writer-director, born in London to Anglo-Polish parents. After studying literature then film at University of Kent at Canterbury, became Visiting Research Scholar in Film at University of California at Berkeley before returning to the UK to work in the independent film sector and higher education. Short films including Alfalfa and Flames of Passion were distributed internationally. Work as a director for British TV received Royal Television Society and D&AD (Gold and Best of Year) awards and a Prix Italia nomination.